In the bustling neighborhood of Anguwar Gobirawa in Sokoto State, a young woman named Jidda, around 22 years old, stands at the gate of a modest house, dressed in a striking red atamfa outfit with a thin veil loosely draped over her head. Her appearance, enhanced by bleaching cream, draws attention, though her demeanor suggests a lack of refinement. Jidda’s sharp features and bold presence captivate men, but closer scrutiny reveals she doesn’t quite fit the mold of conventional beauty. Beside her stands Abdul, a 33-year-old man whose striking looks—large, expressive eyes, a chiseled face, and a commanding presence—make him the object of many women’s affections. Despite his charm, Abdul’s reserved posture, head lowered as if lost in thought, hints at inner turmoil.
Jidda, in a sharp tone, presses Abdul about funds for her friend Maryam’s wedding anko, revealing her frustration with his financial struggles. She taunts him, implying other men could provide what he cannot, though her hesitation to meet his gaze betrays her affection. Abdul, calm but firm, explains his limited resources—15,000 naira recently received, with 5,000 already spent on tailoring. His soft-spoken response carries a weight of sincerity, but Jidda, unmoved, demands 10,000 naira for fabric and accessories, dismissing his efforts. Their exchange is interrupted by Bilkisu, a young girl in an Islamic school uniform, who greets them politely. Jidda, visibly irritated, ignores her, while Abdul responds warmly.
As the conversation shifts to marriage, Jidda questions Abdul’s readiness, citing his lack of a stable job or home. Hurt, Abdul defends his tailoring work and pleads for clarity on her intentions, revealing eight months of emotional turmoil in their two-year relationship. Jidda’s dismissive attitude pushes Abdul to assert his moral stance, rejecting her insinuation of premarital intimacy and storming off, leaving her visibly conflicted.
At home, Abdul faces further tension. His sister Meenah greets him warmly, but their aunt, Goggo, berates him, calling him useless and a burden. The modest family compound, clean but simple, reflects their struggles. Goggo’s harsh words sting, but Abdul remains composed, navigating the expectations and judgments of those around him while grappling with his feelings for Jidda and the pressures of proving himself in a challenging environment.
Muhammad Fatima Sani
Maryam S Bello
Ummi Aisha
Rahma A Majid
Hauwa M Jabo
Usaina B Abubakar
Rasheeda S Director
Maman Nurul Huda
Aisha A Yabo Fulani
Mom Islam
Jameela Jameey ƴar mutan Kankia
Billyn Abdul
by Alawiyya Wada Isa
by Billyn Abdul
by Queen Nasmerh,Rabiatul Adawiya
by Hafsat Sodangi
by Asma Baffa
by Harira Salihu Isa Uwar Batoorl
by Abdulaziz Sani Madakin Gini
by Autar Manya
by Maman Shalele
by Safiyya Abdullahi Huguma